| Overture to La Gazza Ladra [The Thieving Magpie] |
49 |
| Overture (William Tell) |
49 |
| Quartet for flute, clarinet, horn and bassoon no 6 in F major |
43 |
| Overture from Il Barbiere di Siviglia (The Barber of Seville) |
42 |
| String Sonata no 5 in E flat major |
36 |
| Il Barbiere di Siviglia, Overture |
34 |
| L'Italiana in Algeri (Overture) |
34 |
| Quartet no 1 in F major for flute, clarinet, bassoon and horn |
34 |
| Prelude, theme and variations for horn and piano |
33 |
| Overture to L' Italiana in Algeri |
30 |
| The Thieving Magpie (Overture) |
29 |
| Sonata no 1 in G major for string orchestra |
24 |
| Introduction and theme and variations |
23 |
| Lindoro's cavatina 'Languir per una bella' (from L' Italiana in Algeri) |
21 |
| Concert transcription of 'Largo al factotum' from Rossini's Barber of Seville |
16 |
| Ecco ridente in cielo ('Il barbiere di Siviglia') |
16 |
| Overture to "Il Barbiere di Siviglia" |
16 |
| La Scala di seta (The silken ladder) Overture |
16 |
| Una voce poco fa - from Il Barbiere di Siviglia |
15 |
| Sonata for strings no.1 in G major |
13 |
| Largo al factotum from "Il Barbiere di Siviglia" Act 1 |
10 |
| Stabat mater |
10 |
| Aria: Non piu mesta from 'La Cenerentola' Act II |
8 |
| Overture from L'Italiana in Algeri |
8 |
| Prelude, Toccata and Variations |
8 |
| L' Italiana in Algeri - Overture |
6 |
| Overture to 'L'Italiana in Algeri (The Italian Girl in Algiers)' |
6 |
| Overture to La Gazza ladra |
6 |
| Overture to 'Semiramide' |
4 |
| Overture to Guillaume Tell |
3 |
| Overture to La scala di seta |
3 |
| Sonata a quattro for 2 violins, cello and double bass no. 3 in C major |
3 |
| Agnus Dei, from 'Petite Messe solennelle' |
2 |
| The Barber of Seville, opera after Beaumarchais Act 1 |
2 |
| The Barber of Seville, opera after Beaumarchais Act 2 |
2 |
| Bassoon Concerto (1845) |
2 |
| D'ogni più sacro [Alberto's aria from 'L'occasione fa il ladro'] |
2 |
| Donala a questo cuore [Duet from Act 2 of 'Ricciardo e Zoraide] |
2 |
| La Donna del lago; Melodramma in 2 Acts; Act I |
2 |
| Duo for Cello and Double Bass in D Major |
2 |
| Non piu mesta (La Cenerentola) |
2 |
| Overture to 'Guillaume Tell' (William Tell) |
2 |
| Overture to 'L'Italiana in Algeri' |
2 |
| Overture to 'The Barber of Seville' (Il barbiere di Siviglia) |
2 |
| Overture to 'The Barber of Seville' |
2 |
| Prelude, theme and variations in E for horn and piano |
2 |
| Prelude, theme and variations in E major |
2 |
| Tu seconda il mio disegno [from Act 2 of 'Il turco in Italia'] |
2 |
| Variations on a Theme from 'Moses in Egypt' |
2 |
| Il Viaggio a Reims: overture |
2 |
| William Tell - opera in 4 acts (Act 1) |
2 |
| William Tell - opera in 4 acts (Act 2) |
2 |
| William Tell - opera in 4 acts (Acts 3 and 4) |
2 |
| Ah vieni, nel tuo sangue [from 'Otello'] |
1 |
| Aria: Non piu mesta (La Cenerentola) |
1 |
| Arias by Rossini & Donizetti |
1 |
| Buona Sera, Mio Signore (Quintet from Act 2 of 'Il barbiere di Siviglla') |
1 |
| La Cenerentola - opera in two acts, Act 1 |
1 |
| La Cenerentola - opera in two acts, Act 2 |
1 |
| Cessa de piu' resistere from The Barber of Seville |
1 |
| La chanson du bebe |
1 |
| La chanson du bebe for voice and piano |
1 |
| La Danza, tarantella napolitana |
1 |
| La Donna del lago |
1 |
| La Donna del Lago; Melodrama in 2 Acts; Act II |
1 |
| La gazza ladra (The Thieving Magpie): overture |
1 |
| Introduction, theme and variations |
1 |
| Introduction, theme and variations for clarinet and orchestra |
1 |
| L'italiana in Algeri: Act 1 finale |
1 |
| L'Italiana in Algeri (Italian Girl in Algiers) - Opera in 2 Acts (Act I) |
1 |
| L'Italiana in Algeri (Italian Girl in Algiers) - Opera in 2 Acts (Act II) |
1 |
| L'Italiana in Algeri (Italian Girl in Algiers) |
1 |
| L'Italiana in Algeri (libretto: Angelo Anelli) |
1 |
| Largo al factotum della città , from 'The Barber of Seville' |
1 |
| Lindoro's cavatina 'Languir per una bella' - from L' Italiana in Algeri, Act 1 scene 3 Francisco Araiza (tenor: Lindoro, a young Italian slave), Capella Coloniensis, Gabriele Ferro (conductor) |
1 |
| Lindoro's cavatina 'Languir per una bella' - from L' Italiana in Algeri, Act 1 scene 3 |
1 |
| Lindoro's cavatina: Languir per una bella: L' Italiana in Algeri (Act 1 Sc 3) |
1 |
| Lindoro's cavatina 'Languir per una bella' |
1 |
| March from Matinees Musicales, after Rossini |
1 |
| March (Matinees musicales) |
1 |
| Matilde Shabran, or Bellezza, e cuor di ferro - Act I (melodramma giocoso in 2 acts) |
1 |
| Matilde Shabran, or Bellezza, e cuor di ferro - Act 2 |
1 |
| Nacqui all'affanno...Non più mesta (Angelina's aria - Act 2, 'La Cenerentola') |
1 |
| Overture (The Silken Ladder) |
1 |
| Overture to Il signor Bruschino |
1 |
| Overture to "Il signor Bruschino" (ossia il figlio per azzardo) (1813) |
1 |
| Petite messe solennelle for soloists, chorus, 2 pianos and harmonium |
1 |
| Quartet No 1 in F for wind |
1 |
| Scene from Il Signor Bruschino, ossia il figlio per azzardo |
1 |
| Semiramide - overture |
1 |
| Sonata a quattro No 1 in G for string orchestra |
1 |
| Stabat Mater for soloists, chorus and orchestra (incomplete) |
1 |
| Stabat mater: Inflammatus et accensus; Amen |
1 |
| Il Turco in Italia |
1 |
| Il Turco in Italia - Act 2 |
1 |
| Il Turco in Italia - Act I |
1 |
| Un soave non so che from La Cenerentola |
1 |
| Una voce poco fa (Il Barbiere di Siviglia) |
1 |
| Il Viaggio a Reims: finale |
1 |